10 Things a Dance Teacher Should Never Say or Do to a Student

As dance teachers, we all get frustrated when a student doesn’t live up to what we believe to be their potential.  However, the way you address your frustration is what can make you an inspiring teacher.  As a student, I know the good things my former teachers said were wonderful, but passed from my mind quickly.  Unfortunately, the negative things they said, most of the time offhandedly, were devastating and have haunted me throughout my life.   Because of this, I am so careful of what I say to my students and how I say it.  Just like there are things that students should never say to a teacher, there are definitely things that teachers should never say to their students. 

  1. Comparing one student to another in a negative way.  ‘Angela, why can’t you get your leg as high as Connie in arabesque?’  I have heard so many teachers say things like the above.  All you did was inspire negative competition between your students.  Competition is such an important part of being a dancer and there are so many ways to encourage students to look at competition in a healthy way.  What I say instead?  ‘When I was in college, my best friend and I always stood beside each other.  I would try to do as more pirouettes than she did and she would try and get her leg higher than mine in développés.  It made us better friends, made us both work harder and made us both better dancers.  Each one of you has something that others can admire, whether it is great technique, memorizing a combination quickly or having beautiful port de bras.  Learn from each other and be inspired.’
  2. Yelling at a student who is late for class.  Being late for a dance class is not just disruptive, but potentially dangerous.  My students have to stand at the door and wait for permission to enter when they are late; they also have to sit and observe class if they are more than 10 minutes late.  However, I calmly explain to the student that he or she has missed too much of the warm-up and could get injured if they were to participate.   If it happens more than once, I talk to the parent and ask why.  Sometimes moving a child to a class that meets on a different day or time is an option.  If it is chronic, I’ve been known to run after parents to have a serious discussion about tardiness, but I never yell at a child for something over which they have little control.

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The Magic That Is Dayton Contemporary Dance Company

 

Dayton Contemporary Dance Company

As a teacher, every time I set foot in a classroom, magic can happen.  Spending time with my students is delightful in and of itself, whether they be my college students, former students who come back to visit, my pre-professional students, the child that takes ballet once a week because it’s fun or my littlest ones who give hugs and draw me pictures.  I teach many classes a week to many different types of students and in each class there are moments when light bulbs go off, where enlightenment happens, where knowledge is passed from me to my students, moments of triumph over the body, moments of artistry and brilliance.

But once in a while, as a teacher you teach a class that doesn’t just have moments of magic, but is just magical from start to finish.  You are having a good day.  Your students are having a good day. ‘A ha’ moments are happening all over the room. The students are enthusiastic about what you’re telling them which makes you even more excited than usual to give them all the information you can. They are asking intelligent, thought provoking questions.  The students try it over and over until they get it and then get so excited when they execute it and you feel the pure joy that is teaching.  For me, that magic happens every single time I walk in the doors of Dayton Contemporary Dance Company.

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When Is My Child Ready for Pointe Shoes?

Maddie at the barre

As instructors, we hear this question over and over again from parents and students.  Starting pointe is such a big milestone in a dancer’s life.  Dancing on your toes requires tremendous strength of the legs and feet and it can be very dangerous.  Please understand that we as dance teachers have your child’s best interests and well-being at heart.  We do not withhold pointe shoes as a punishment.   While pointe shoes are a privilege, there is a real possibility of damage from putting a dancer en pointe before they are physically ready to do so.  Please trust our professional opinion and know that when your child is ready, it is our honor to tell them they are ready to take the next step in their dance training with the addition of pointe shoes to their repertoire. Here are some things we look for from your dancer:

You are at least 10 years old.  The proper age to start pointe is controversial and it can be very damaging if this work is started before the growth of the foot is complete.  Keep in mind that many issues and injuries can occur if a child begins pointe work too early and these factors go down significantly the longer you wait.  Waiting is not bad!

You have proper body alignment. Body placement is essential which means that the upper body should be over the hips, the tailbone should be dropped and the lower back lengthened and the abdominal muscles must be fully engaged the entire time a dancer dances.      

You are turned out at the hip using your rotator muscles.  If a dancer does a relevé and their heels slip backward, they are not using their muscles properly. 

You must have leg strength. The knees should stay absolutely straight in relevés, tendus and piqués.  The dancer should also be able to balance on both feet and one foot for long periods of time.

You must have proper ankle alignment, flexibility and strength.  The dancer should be able to relevé with their weight between their second and third toe with their heels naturally high off the floor and maintain that position on both feet and one foot.  The dancer should be able to executing a tendu with a properly pointed foot which includes a stretch through the ankle, arch and mid-foot without curling the toes and without sickling.

You must have flexibility.  Okay, so this one has little to do with pointe, but I use the promise of pointe shoes as a motivator since it is important to your overall success as a dancer to be flexible.  All dancers at my studio who have pointe shoes must have both splits completely down and straddles within a few inches from the floor.

Some Other Things: I know as a dance teacher I also consider attendance, correction and combination retention and healthy body weight in relation to height and age when looking at students to put en pointe.

How To Be A Good ‘Dance Mom’

Dance Moms, Lifetime’s reality television series, is a much bigger success than anyone probably predicted.  Viewers, sometimes including myself, tune in each week to laugh and shake their heads at the antics of these women.  However, there are real life dance moms all over this country and many of them are incredible women.  I know the studio I co-own would not be able to function without our incredible dance moms and dads who volunteer countless hours and tirelessly help make our pre-professional company a success.  My own mother was a stellar dance mom and I’m dedicating this one to her.

Have your child to class at least 15 minutes early.  This cuts down on the possibility of being late due to traffic.  It gives your child time to socialize with their friends which cuts down on talking during class.  Your child will have time to warm up and get focused as well.

Make sure your child has the proper dress code.  Good schools have strict dress codes.  There are many reasons for this.  When all students look the same, mistakes stand out better and can be corrected more quickly.  It’s important for a teacher to see the body to check technique, footwork, placement and alignment.  Having the hair slicked back in a bun helps the child master spotting for pirouettes.  I understand many parents want to save money by buying shoes a size or two up, but this is very dangerous to the dancer and can cause injury, so can dancing in shoes that are too small or in pointe shoes that are dead.

Make sure your child is eating healthily.  Dancers are athletes that need to fuel their body properly.  My mom cooked most of my meals and packed my lunches herself.  She made sure I had a good breakfast, lunch, dinner and snacks.  She was constantly on me to drink water.  She never kept junk food or soda in the house and she gave me fruits and vegetables at every meal.  My dad planted a garden every summer so we would have enough homegrown veggies.  If she knew I was dancing all day, she’d pack me a huge salad, fruit, cheese, nuts, pretzels, etc. and lots of water.  I ate a lot and I ate often, but she made sure it was all good food.

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Ten Things You Should Never Say to Your Dance Teacher

1.       When is class over?  or It’s time for class to end.  These questions/comments are rude and indicate you would rather be somewhere else.  If you would rather be somewhere else, maybe you should be there instead.  The teacher takes the time given to the education of his or her students seriously.  He or she is trying to teach you something and you should be focused on what is being taught, not watching the clock.

2.       I don’t get it. This is a terrible and unintelligent question.   Be specific about what you don’t understand.  Do you need to see the combination again? Do you not understand the musicality?  Do not understand the arms and head?  Do you not understand the correction?  Be specific and your teacher will be more than happy to help you. 

3.       Am I doing this right? If you were doing it wrong, the teacher would tell you. 

4.       Watch me. The teacher is trying to watch all the students in his or her class.  He or she will watch you all equally and yes, some of your best moments may be missed.  Take pride in knowing you did them well even if the teacher didn’t see them. 

5.       When can I move up? or When do I get pointe shoes? When the teacher thinks you are ready, he or she will let you know.   These questions are not going to make your teacher look at you and say, ‘Oh my goodness, I totally forgot.  I meant to do that three weeks ago!  Thanks for reminding me!’  You’re more likely to get, ‘When you finally hold your stomach up throughout class without me having to tell you yet again.’

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